
Waiting for someone who does not come, I burn with longing like the seaweed salt-fires smoldering in the evening calm of Matsuho Bay.
Fujiwara no Teika is none other than the compiler of the Hyakunin Isshu. The leading poet of the Shin Kokin era, he perfected the aesthetics of yūgen (profound mystery) and yojō (lingering resonance), epitomized by "Looking out, there are neither blossoms nor crimson leaves." This poem is an allusive variation on a long poem (chōka) by Kasa no Kanamura in the Man'yōshū, layering the heart of a woman waiting for a man who does not come onto the fisher-maiden burning seaweed for salt on the shore of Matsuho—a "proxy poem" (daiei): Teika, a man, writing in a woman's voice.
The evening calm—the hour when the wind dies and the sea becomes a mirror. Only the salt-seaweed fire keeps burning on the beach. The one she waits for does not come. And yet, just as the fire scorches the seaweed, she goes on burning inside. With "waiting" (matsu) sunk into "Matsuho," and "a scorching longing" sunk into "burning," this is a love poem at the summit of technique.
The "scorching" of the salt-seaweed burnt in the evening calm we translated into a soup left on the stove, forgotten, and burnt. A night of reheating two portions and staring at the empty chair; a screen frozen at "almost there"—we portray the time that simmers down, tenderness and all, as you keep inventing excuses for the one who doesn't come. And still you don't turn off the light at the door. The scorching stillness of "a love that waits," unchanged after a thousand years, we made into a song just as it is.
来ぬ人を(権中納言定家・百人一首97番)/Garu JP
二人分のスープ 温め直して
テーブルの向かい 空いたままの椅子
「すぐ着く」で止まった 画面を伏せて
窓の外の道へ 目を戻す
来ぬ人を まつほの浦の
夕なぎに 焼くや藻塩の
火にかけたまま 忘れたスープ
焦げる匂いに 我に返る
身もこがれつつ こがれつつ
窓の外の空が 藍色になる
夕なぎのように 通知が止まる
冷めた皿に そっとラップをかけて
向かいの席は まだ片づけない
来ぬ人を まつほの浦の
夕なぎに 焼くや藻塩の
言い訳をまだ 考えてあげてる
やさしさごと 煮詰まってく
身もこがれつつ こがれつつ
百の歌を 集めた人が
じぶんの一首に 選んだのは
はなやかな恋の 歌じゃなく
ただ待つだけの 夜のうた
来ぬ人を まつほの浦の 夕なぎに
焼くや藻塩の 身もこがれつつ
来ぬ人を まつほの浦の
夕なぎに 焼くや藻塩の
暗くなる画面に うつりこむ
自分の顔を なでる灯り
身もこがれつつ こがれつつ
外の道を 車が過ぎて
椅子を立って また座る
玄関の灯りは 消さないでおく
今夜もまだ 身もこがれつつ
Reheating soup for two
Across the table, a chair still empty
Turning over the screen stopped at "almost there"
My eyes go back to the road outside
For one who does not come, at Matsuho Bay
In the evening calm, seaweed salt burns
The soup I left on the fire, forgotten
The smell of burning brings me back
And my heart keeps burning, burning
The sky outside turns indigo
Like the evening calm, the notifications go still
Gently wrapping the plate gone cold
I still don't clear the seat across from me
For one who does not come, at Matsuho Bay
In the evening calm, seaweed salt burns
I'm still inventing excuses for you
Simmering down together with my kindness
And my heart keeps burning, burning
The man who gathered a hundred poems
Chose for his own single verse
Not some dazzling song of love
But a night song of simply waiting
For one who does not come, at Matsuho Bay, in the evening calm
Seaweed salt burns — and so does my heart
For one who does not come, at Matsuho Bay
In the evening calm, seaweed salt burns
Reflected in the darkening screen
The light strokes my own face
And my heart keeps burning, burning
A car passes on the road outside
I rise from the chair, and sit back down
I'll leave the entrance light on
Tonight, still, my heart keeps burning