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Hyakunin Isshu No. 67 · Suō no NaishiHaru no yo no

“A Spring Night's Dream” — Suō no NaishiSource: Senzai Wakashū, Miscellaneous I · 964
春の夜の 夢ばかりなる 手枕に
かひなく立たむ 名こそ惜しけれ
Haru no yo no yume bakari naru tamakura ni
kainaku tatan na koso oshikere
For an arm-pillow as brief as a spring night's dream,
a pointless rumor would rise — and my name is too dear for that.
Hyakunin IsshuSenzai WakashūMiscellaneousSpringHumorA room on a spring night
Haru no yo no jacket art▶

What the poem says

For a pillow of your arm, as fleeting as a spring night's dream, it would be a real pity to have a worthless rumor spread about me.

Music Video

ミュージックビデオ

The Story

歌のものがたり

Historical Background

Suō no Naishi (dates unknown; c. 1037 – c. 1109) was a lady-in-waiting and poet of the late Heian period. Her real name was Taira no Nakako; the daughter of Taira no Munenaka, governor of Suō, she served four emperors in succession — Go-Reizei, Go-Sanjō, Shirakawa and Horikawa. This poem is Senzai Wakashū, Miscellaneous I, 964. Its headnote tells the story: on a bright moonlit night in the second month, people had gathered at the Nijō-in and talked the night through; Suō no Naishi, leaning against something, murmured softly, 'if only I had a pillow'. Hearing this, the Major Counselor Fujiwara no Tadaie slid his arm under the blind — 'use this as your pillow'. She composed this poem on the spot. Tadaie replied: 'Bound as we are, how could a deep spring night's arm-pillow end as an empty dream?' Not a love poem in earnest, but a quick-witted exchange, the entertainment of a moonlit gathering.

The Poet's Heart

A poem that pushes an offered arm away with a smile. The spring night is short, and a dream on such a night is shorter still. Even if I rested my head on your arm, it would last no longer than a dream — and yet the rumor it would start would last and last. Weighing the short dream against the long rumor, she declares that her name is what she cannot afford to lose. In 'kainaku' she hides 'kaina', the arm itself, so that the very refusal contains the thing refused. She is not angry and not embarrassed. On a drowsy night, a mind sharpened by the brightness of the moon produced this on the spot. She declines without shaming him. That is the elegance of the poem.

What We Put into the Lyrics

What drew us most to this poem is that it is a refusal in which nobody gets hurt. She will not borrow the arm, and the reason is said in one breath: dreams are short, rumors are long. No anger, no blushing — just a mind wide awake in the drowsiness of a moonlit night. We set the scene of the headnote directly in the present: the second round of a party on a night when the moon is too bright, the talk going round for the second time, a yawn stifled against the wall, 'if only I had a pillow' murmured to no one. An arm reaches over from the next seat: 'use it as a pillow'. After the poem is sung, the chorus turns its balance into today's words — 'if I borrowed that arm, by morning a rumor longer than any dream would rise' — and refuses with 'sorry, if it's only sleepiness, I'll manage it myself'. The kindness she keeps; only the arm is given back. We added one thing the poem does not say: the truth is, she was already sleepy, because the moon was too bright. But she does not want tomorrow's rumor, and so she orders a cup of tea. Sleepy but not asleep, arm returned, holding on with tea. The headnote says she was 'leaning' — it never says she slept, and someone who answers with a poem like this on the spot is certainly awake. A verse a lady-in-waiting tossed back with a laugh at a moonlit gathering a thousand years ago, set down again in the sleepiness of a spring night's second round.

Lyrics

歌詞
Japanese

春の夜の(千載集/周防内侍・百人一首67番)Garu JP

Verse 1

月が 明るい 夜の 二次会

話は もう 二周目に 入って

壁に もたれて あくび ひとつ

枕が あれば と ひとりごと

Pre-Chorus

隣の 席から 腕が 伸びて

枕に していいよ と ひとこと

Chorus

春の夜の 夢ばかりなる 手枕に

かひなく立たむ 名こそ惜しけれ

その腕 借りたら 朝には 朝には

夢より 長い うわさが 立つ

ごめんね 眠気なら

自分で なんとか する

Verse 2

夢なら 見るのも 覚めるのも

誰にも 見られず 済むけれど

うわさは 覚めない 春の夜の

月より 長く 残る

Pre-Chorus 2

差し出された 手は ありがたく

笑って 押し返す

Chorus 2

春の夜の 夢ばかりなる 手枕に

かひなく立たむ 名こそ惜しけれ

その腕 借りたら 朝には 朝には

夢より 長い うわさが 立つ

ごめんね やさしさは

受け取って 腕は 返す

Bridge

本当は もう 眠たかった

月が 明るすぎる 夜だから

でも 明日の うわさは いらない

そう 決めて お茶を 頼む

Final Chorus

春の夜の 夢ばかりなる 手枕に

かひなく立たむ 名こそ惜しけれ

その腕 借りたら 朝には 朝には

夢より 長い うわさが 立つ

ごめんね 眠気なら

自分で なんとか する

Outro

名こそ惜しけれ……

夢は 短く 朝は 早い

English

Haru no yo no (Senzai-shu / Suo no Naishi, Hyakunin Isshu No. 67) Garu JP

Second round of the party, moon bright outside

The talk has gone round for the second time

Leaning on the wall, I stifle a yawn

"If only I had a pillow," I murmur

From the next seat an arm reaches over —

"You can use it as a pillow," he says

For an arm-pillow as brief as a spring night's dream,

a pointless rumor would rise — and my name is too dear for that

If I borrowed that arm, by morning — by morning

a rumor longer than any dream would rise

Sorry — if it's only sleepiness,

I'll manage it myself

A dream, whether you see it or wake from it,

is over without anyone watching

But a rumor never wakes — on a spring night

it lasts longer than the moon

The hand held out to me, I take with thanks

and laughing, push it gently back

For an arm-pillow as brief as a spring night's dream,

a pointless rumor would rise — and my name is too dear for that

If I borrowed that arm, by morning — by morning

a rumor longer than any dream would rise

Sorry — the kindness I'll keep,

but the arm I give back

The truth is, I was already sleepy

because the moon was too bright tonight

But I don't need tomorrow's rumor

So I decide, and order a cup of tea

For an arm-pillow as brief as a spring night's dream,

a pointless rumor would rise — and my name is too dear for that

If I borrowed that arm, by morning — by morning

a rumor longer than any dream would rise

Sorry — if it's only sleepiness,

I'll manage it myself

My name is too dear for that...

Dreams are short, and morning comes early

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