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Hyakunin Isshu No. 81 · Go-Tokudaiji no Sadaijin (Fujiwara no Sanesada)Hototogisu

“Only the Dawn Moon” — Go-Tokudaiji no Sadaijin (Fujiwara no Sanesada)Source: Senzai Wakashū, Summer · 161
ほととぎす 鳴きつる方を ながむれば
ただ有明の 月ぞ残れる
Hototogisu nakitsuru kata o nagamureba
tada ariake no tsuki zo nokoreru
I turn to where the cuckoo sang —
and only the dawn moon is left in the sky.
Hyakunin IsshuSenzai WakashūSummerAdmirationThe sky at daybreak
Hototogisu jacket art

What the poem says

I looked toward where the cuckoo had sung, and all that remained there was the pale moon of dawn.

Music Video

ミュージックビデオ
MUSIC VIDEO — COMING SOON

The Story

歌のものがたり

Historical Background

Fujiwara no Sanesada (1139–1191), known as the Later Tokudaiji Minister of the Left, was a court noble and poet of the very end of the Heian period. Born into the Tokudaiji house, he was a nephew of Fujiwara no Shunzei and a cousin of Fujiwara no Teika. He rose to Minister of the Left and was celebrated as one of the leading cultured men of his day, accomplished in poetry, music and dance; The Tale of the Heike shows him visiting the ruined old capital after the court moved to Fukuhara, gazing at the moon and singing. This poem is Senzai Wakashū, Summer, 161, composed on the set topic 'hearing the cuckoo at dawn'. It is a topic poem rather than a diary entry, but it captures exactly the summer refinement every noble of the age knew: staying awake before dawn to catch the single call of the hototogisu, the lesser cuckoo that announces the season.

The Poet's Heart

The one call he waited up all night for finally comes. He looks toward it. But the bird is no longer there; all that remains is the thin moon still hanging in a sky that is already growing light. This is a poem about looking and finding nothing — the voice lasts an instant, the moon stays. He turned his face in expectation, and where the expectation fell through, something else he had not been waiting for quietly remained. He does not say he was disappointed, or that the moon was beautiful. 'Only... the moon remains' — he says that it was there, that alone, and stops. The silence after the sound, and the colour of a sky not yet fully light, spread out beyond the words.

What We Put into the Lyrics

What drew us most to this poem is its shape: you look where the sound came from, the thing you looked for is gone, and something else is left in its place. The voice lasts an instant; the moon stays. We set it in an early-summer dawn of today. The eastern sky begins to pale, a window opened a crack, one call far off that does not come again. You look toward it — the high branch of the garden tree. After the poem is sung, the chorus continues: the voice is nowhere now, only a thin moon is left, at the edge of a sky turning into morning, like something forgotten. In the second verse, while you wait for it to call again, the blue keeps growing and the moon grows fainter at the window's edge. The bridge asks whether it was really a bird, and answers that there is no one left to ask — only, in the sky you looked up at, there was a moon, and that is all. The lyrics never say happy or lonely; the poem managed with the single word 'only', and we kept it that size. A summer dawn written to a set topic by a nobleman eight hundred years ago, set down again at a window opened a crack.

Lyrics

歌詞
Japanese

ほととぎす(千載集/後徳大寺左大臣・百人一首81番)Garu JP

Verse 1

東の 空が 白みはじめて

窓を 少し 開ける

一声だけ 遠くで 鳴いて

それきり 続かない

Pre-Chorus

声のした 方を 見る

庭の 木の 高い 枝

Chorus

ほととぎす 鳴きつる方を ながむれば

ただ有明の 月ぞ残れる

声は もう どこにも なくて

薄い 月だけが 残っている

朝に なりかけの 空の 端に

忘れものみたいに ひとつ

Verse 2

もう一度 鳴くのを 待つあいだに

空の 青が 増えていく

月は 少しずつ 薄くなって

窓の 縁に 消えかける

Pre-Chorus 2

声は 一度 それだけで

夏の 朝が 始まる

Chorus 2

ほととぎす 鳴きつる方を ながむれば

ただ有明の 月ぞ残れる

声を 探した 目の 先に

薄い 月だけが 残っている

夜の 終わりと 朝の はじまりの

あいだに ひとつ

Bridge

聞こえたのは 本当に 鳥だったのか

訊く 相手は もう いない

ただ 見上げた 空に

月が あった それだけ

Final Chorus

ほととぎす 鳴きつる方を ながむれば

ただ有明の 月ぞ残れる

一声の あとの 静けさに

薄い 月だけが 残っている

それを 見ていた 朝が あった

夏の はじめの

Outro

月ぞ残れる……

一日が 始まる

English

Hototogisu (Senzai-shu / Go-Tokudaiji no Sadaijin, Hyakunin Isshu No. 81) Garu JP

The eastern sky begins to pale

I open the window a crack

One call, far away —

and nothing follows

I look toward where it came from

the high branch of the garden tree

I turn to where the cuckoo sang —

and only the dawn moon is left in the sky

The voice is nowhere now

only a thin moon is left

at the edge of a sky turning into morning

like something forgotten, one

While I wait for it to call again

the blue in the sky keeps growing

The moon grows fainter, little by little

about to vanish at the window's edge

One call, and only that —

the summer morning begins

I turn to where the cuckoo sang —

and only the dawn moon is left in the sky

Where my eyes went looking for the voice

only a thin moon is left

between the end of night

and the start of morning — one

Was it really a bird I heard?

There is no one left to ask

Only, in the sky I looked up at,

there was a moon. That is all

I turn to where the cuckoo sang —

and only the dawn moon is left in the sky

In the stillness after one call

only a thin moon is left

There was a morning when I watched it —

at the start of summer

The moon is all that remains...

The day begins

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